A solo adapted, dismantled and rebuilt for the Palácio Pimenta (18th century).
Recovering the character from the solo #VIBRA #DOR, Rita Vilhena makes a discontinuous performance through the spaces of the palace. This performance reflects feminine issues, the stereotype of women and the domesticated body. A piece with a non-binary and intersectional view of reality, which aims to exaggerate the difference between inside and outside, above and below, male and female, with and against, with the purpose of questioning an appearance of order. The challenge is to make a temporal friction of this woman's body in this space where objects have become museum pieces.