1. <em>D&Uacute;b&aacute;mM&Iacute;&Iacute;</em><br />
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synopsis:<br />
In the D&Uacute;b&aacute; world, each one plays a specific role in the D&Uacute;b&aacute;mM&Iacute;&Iacute; factory. In here, things gain and lose meaning, as if the concepts of creation and destruction were the same. Starting from strange and sometimes chaotic episodic frames, the d&uacute;b&aacute;anas go through states of madness, shock, anger and pain, as annihilating perversity takes over everything. This play is a protest against all the perfect and imperfect pieces that are crushed and swallowed up.<br />
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creator: Carolina Vouga<br />
performers: Beatriz Silva, Joana Oliveira, Matilde Chambel, Sofia Camboa, Sofia Santos<br />
set design: Alexandre Magno, Carolina Vouga and Luiz Morgadinho<br />
costumes: Carolina Vouga and Susana Raposo<br />
music: Teho Teardo; Samuel Barber; Duas Semicolcheias Invertidas.<br />
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2. <em>KALEIDOSCOPE</em><br />
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synopsis:<br />
a tube containing mirrors and pieces of colored glass, whose reflections produce changing patterns that are visible through an eye hole when the tube is rotated.<br />
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artistic director and choreographer: David J. Amado<br />
film and editing: Wilson Sanches<br />
performers: Valdemir Ribas, Bheto Sanches &amp; David J. Amado<br />
lighting: Maicon Guane<br />
music: Bonobo<br />
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3. <em>S&agrave;ngb&aacute; fọ́</em><br />
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synopsis:<br />
Civilization has progressed to a state where we are every day hastening the process of our imminent demise, as a party destined to eliminate all forms of life (regardless of biological classifications). In this performance session, the fragility of life and our presumed safety is focused on and visited with Artaud&#39;s 1932 Manifesto of the Theatre of Cruelty. Not as a provocation, but as an exclamation and a request for reflection on the path that we, society, are traveling, especially in our relationship with the world as a peak and not as part of a rhizome.<br />
S&agrave;ngb&aacute; fọ́ (Woe is me) is a Yoruba phrase of exclamation, the opening of a entry into spaces of shock, loss, grief and sadness. The modern world and its systems have put us in the place of the chick, which heads for the garbage to eat, without acknowledging its mother&#39;s warning....<br />
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creation: James Notin<br />
interpretation: James Notin, Jakob Mach&eacute;<br />
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4. <em>Pequenas Coisas Infinitas</em><br />
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synopsis:<br />
Small Infinite Things is a happening in which the public is invited to use cell phone flashlights to transform plastic, glass, paper or organic waste into shadows and reflections, creating large-scale visual patterns. Based on the premise that all objects are infinite in their possibilities and potential, Pequenas Coisas Infinitas raises awareness of extending the useful life of objects and personal relationships through the reuse of waste and the development of a collective spirit.<br />
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concept: Filipa Alfama<br />
music: Sufjan Stevens<br />
acknowledgments: AgitLab, Programa &Oacute;rbita, Festival S&uacute;bito, and Part&iacute;cula no A&ccedil;&uacute;car<br />
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:-)&nbsp; Party with Pramod<br>
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